This is a great moment in Tagore's short story.  In its
            conclusion, the orphan Ratan, who had found some semblance of stability and normalcy
            with serving the postmaster, asks to accompany him in his departure.  He laughs at her. 
            When he leaves, he offers her money, but she runs away, partly in sadness, partly out of
            her own condition of being abandoned again.  The postmaster leaves and as he does, he
            thinks about what he has done.
Essentially, the postmaster
            has broken another person's heart.  As the French theorist Benjamin Constant once said,
            " No meta-physician has ever been able to justify the breaking of another's heart."  The
            postmaster is left to reflect about the pain he inflicted on Ratan.  He is overcome with
            a sense of sadness, something that Tagore suggests is felt within the constructs of the
            earth, a feeling emanating from the center of the universe.  This overwhelms him and
            subsumes him.  Yet, the catch, and where Tagore is simply brilliant is that he
            constructs the postmaster to be consistently self- absorbed.  The postmaster begins to
            rationalize that there is suffering everywhere, and that people feel pain all over.  For
            the postmaster, there are so many instances of separation, loneliness, death, and pain
            that what the postmaster did to Ratan is simply one more instance. It does not change
            anything, as there will still be pain with or without the postmaster's
            contribution.  In the end, "there are many separations, many
            deaths." This allows the postmaster to feel better about what
            he has done.
Tagore's inclusion of this line about there is
            a philosophical approach to avoiding taking responsibility for the causing of one's pain
            is simply brilliant.  It allows the viewer to see the true and self- absorbed nature of
            the postmaster for if he really felt bad, he could have reversed course and taken her. 
            He didn't.  He looked for a reason to escape his own sense of budding guilt and was able
            to find it in a philosophical justification that asserted there was so much suffering
            and pain in the world and his own inclusion would have made no difference.  Tagore
            rightfully though points out that "Ratan had no such consolations" to alleviate her own
            pain, which is why she becomes the heroine of the story.
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