Lady Macbeth spends the majority of the first acts
displaying a masculine quality, her control over her husband much greater than most
would expect for the time period and his station. She is certain and sure in what they
must do to gain the titles she desires, particularly after she is emboldened by the
witches and their prophecy.
However, after the murder
occurs, she seems to lose her constitution over it, and begins to sleep walk. Her tone
in this scene varies between fear, regret/guilt, and even still her imperiousness
towards her husband. She comments on the invisible stain the king's blood left on her
hands, which was ironic because earlier in the play she told Macbeth that a little water
was all that was required to wash it away. The blood has a deeper meaning, indicating
the king's family--his son, Malcolm, is out for revenge. The guilt remains with the
false queen as she continuously comments on the fact that the blood is still there,
condemning her.
Yet her imperiousness continues to show in
her words as she tells Macbeth to be calm and stay steady. Part of her sleep talking
refers to the night of the murder itself, while still other parts seem to indicate she
suspects what is coming.
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