In Sonnet 130 by Shakespeare, are most of the images auditory, olfactory, visual, or kinesthetic?

When we think of imagery, we are talking about images that
the author or poet creates using words that appeal to our senses to help us imagine
them. Therefore, generally speaking, the most successful images are those that appeal to
as many of our senses as possible. When we think of this poem, and the complete picture
that the speaker builds up of his mistress and of her many imperfections, we can see
that the imagery he employs does appeal to many of our senses. Consider, for example,
the dominant sense of sight:

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My mistress' eyes are nothing like the
sun;
Coral is far more red than her lips' red;
If snow be white, why
then her breasts are dun;
If hairs be wires, black wires grow on her
head.

We have a very strong
visual description of the eyes being "nothing like the sun," her lips not being like
"coral" and her "breasts" being a "dun" colour. In addition, the last line points
towards the feel of the mistress' hair, stressing the sense of touch as we can imagine
the rather unpleasant feeling of the speaker as he goes to touch his mistress'
hair.

There is a definite appeal to scent in the fragrance
that the mistress exudes, as the "breath that from my mistress reeks" captures, and an
auditory image is captured in the sound of her speech, even though "music hath a far
more pleasing sound." Thus we can see that this poem successfully appeals to a number of
the senses to create excellent imagery.