The young police officer who is based on Orwell and his
own experiences in Myanmar is compelled to act by a number of factors, all of which are
completely out of his control. When called to the scene, he realizes that he can choose
not to shoot the elephant as the animal is at rest and not currently a threat to anyone.
He could wait for the elephant's owner to return, but the pressure of the crowd to do
something is intense. Some want a spectacle; others want a piece of the animal for feed
their families. Many in the crowd see this incident as a test of the police officer and
of their ability to control him. The officer, being British and a representative of the
British Empire, has the power and authority, but it becomes clear to him and the crowd
that he is subject to their power in their sheer number. If the officer shoots the
elephant, the crowd will be satisfied, and the officer will maintain his position. If he
does not shoot he will be seen as weak and impotent. As such he becomes a symbol for
the entire rot and decay of the empire, a force capable of intimidating those under its
reign but in no way in real control. The great justification for shooting the elephant
is that it has killed a man, but even that is false justification. The officer has no
respect for the dead person, nor we find out do his colleagues who discuss the incident
later at the station. The British saw the dead citien as far less important than the
elephant. To save the empire the officer has only one choice: kill the elephant and
calm the crowd. The killing does not come easy, however. He pours shot after shot into
the elephant yet the animal refuses to die for a long time. The elephant becomes a
symbol for the entire empire. To save the empire its adherents must take actions that
ultimately destroy the empire. What an interesting conundrum.
Monday, October 5, 2015
Discuss the circumstances that led Orwell to shoot the elephant in Shooting an Elephant.
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