Mark Twain’s writing might be considered
characteristically “American” in a number of ways, including the
following:
- his focus on American
people, places, and other American subject-matters, as in
Adventures of Huckleberry Finn, The Adventures of Tom
Sawyer, The Gilded Age, etc.,
etc. - his tendency to look at Europe and the
rest of the “old” world from a skeptically American perspective, as in
such travel books as An Innocent Abroad and in such works of
fiction as A Connecticut Yankee in King Arthur’s
Court - his emphasis on “frontier
humor,” as in his famous story “The
Celebrated Jumping Frog of Calaveras County,” among many other
works - his frequent tendency to use
varieties of American dialect, most memorably in Adventures of
Huckleberry Finn
- his skill in capturing the sounds of the
language spoken by many African Americans of his day, such as in the
following passage when Jim, in Huckleberry Finn, tells Huck how he
once slapped his very young daughter because he failed to realize that she had become
deaf and thus couldn’t hear his commands:
“Oh, Huck, I bust out a-cryin en grab her up in
my arms, en say, ‘Oh, de po’ little thing! De Lord God Almighty fogive po’ ole Jim, kaze
he never gwyne to fogive hisself as long’s he live!’ Oh, she was plumb deef en dumb,
Huck, plumb deef en dumb – en I’d been a-treat’n her
so!”
This is one of the most
moving passages in the entire book, and the fact that Twain can create such moving
speech by using such allegedly “unsophisticated” language is one of the great aspects of
his genius.
- his habit of
celebrating American democratic values, American habits, and the American
people, especially in contrast with the values, habits, and people of
Europe (particularly the French). - his
willingness to criticize America when he felt that it had fallen short of its own ideals
or of ideal behavior in
general
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