Marianne Moore famously stated that poetry was composed of
            'imaginary gardens with real toads in them`.
            Like Moore`s imaginary garden or Tennyson`s Palace of Art, the pleasure dome of Kubla
            Khan is not presented as a real place but as an ideal symbol of artistic
            creation.
The key phrase which signals that the dome is
            noty a real but an imaginary construct is:
Could I revive
            within me
Her symphony and song,
To such a deep delight 'twould win
            me,
That with music loud and long,
I would build that dome in
            air,
You cannot actually build a dome with music, but only
            with concrete building materiasl. Thus the sense is that music (or Coleridge`s poem)
            conjures up in the listener`s mind the image of a dome of pleasure, which itself is
            merely a symbol of a certain type of ecstatic or Dionysian vision of art and its
            associated emotions.
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